What are the Best Tom Mics? – Top 5 in 2023


These microphones give your drum sound depth. They focus on the individual tom sounds and provide a more thorough and accurate impression of the full set as the mix. In the recording studio, using these mics are essential. The number of toms on your drum set will determine the number of this tool you’ll need.

Their tonal range makes microphones with broad frequency patterns more beneficial when utilized. The best microphones on the market will be discussed in this post. I’ve analyzed their performance regarding sound durability, price, and other factors to present my top picks.

What are the Best Tom Mics?

Five Of The Best Microphones To Save Money

Here, we reviewed the best products for your ease. Keep reading!

1. Sennheiser MD 421

Sennheiser MD 421


 Dimensions215 x 46 x 49 mm  
Connector  XLR-3  
Response to frequency 30 – 17000 Hz
Weight 385 g
Sensitivity2 mV/Pa +- 3 dB

Product Review:

My favorite microphone is without a doubt, the Sennheiser MD 421. There are many advantages to this. You can get help from my review if you want to buy this. It is a dig-deep dynamic microphone with a 30Hz to 17kHz frequency range.

Only sounds that are coming straight towards MD 421 will be picked up by it (this helps to avoid problems with phase). To customize your sound, the microphone has five distinct places where the bass may be turned off. Off-axis noise can be reduced well by this polarization pattern, which is capable of doing so.

This microphone doesn’t have any drawbacks that I feel. It’s expensive to start. Although three sets can be pricey, they will last me for the rest of my life. With low-end roll-off choices, you may customize the mic for each tom individually and increase the recording’s flexibility.

By ensuring that the off-axis rejection is stable, phase difficulties may be readily removed, making the microphone placement with the MD 421 straightforward. If you have the money, using a Sennheiser microphone cannot possibly go wrong. 

  • Neat and precise
  • Easy to modify
  • Compact size and inconspicuous design
  • Strong build quality and the best 10-year guarantee available in the market

●       The versatility of the microphone could be better.

If you want high Quality Sound with these sort of mics then do checkout Home Theatre systems for information.

2. Sennheiser e906

Sennheiser e906


  Dimensions55 x 34 x 134 mm
Connector XLR-3
  Response of frequency  40 – 18000 Hz
Weight 140 g
  Sensitivity  2,2 mV/Pa

Product Review:

Sennheiser’s e906 is a fantastic alternative. Despite being made mainly for guitar and bass amps, it also sounds fantastic when used with a floor. This microphone is simple to position in a small space due to its flat form. It just fit on my computer table. It boasts a 40Hz to 18 kHz amplitude range and a super-cardioid pickup design. Additionally, this microphone is designed to withstand an extremely high SPL (sound pressure level).

It is the best microphone ever. I really recommended it personally. Because it is adaptable and may be used for any situation. This microphone offers excellent sound quality. The e906 is tough to purge of unwanted tones. The e906 also has a 3-position adjustable switch that can move between the moderate, bright, and dark modes.

  • High SPL is easily managed.
  • Simple to install
  • 3 tone-position switches
  • Versatile

●       Due to its design, it is simple to hit accidentally.

3. Shure SM57

Shure SM57


Dimensions6.34″ x 1.68″
Connector XLR
Frequency Response40Hz-15kHz
  Weight0.63 lbs

Product Review

The recording industry’s most popular microphone is the SM57. This microphone is excellent for giving my drums a pop sound. This microphone is unmatched in its versatility and is made of brick. All of these mics are available in low price. It’s time to buy an SM57 if you still need to get one at this point.

The frequency range of this Shure microphone is 40Hz to 15 kHz, which brings out the glitter in your sound but excludes the low-end. I have to hear the output of this microphone in the recording that produces. On my surety you must test if you’ve never had the opportunity ever. 

  • Affordable
  • Clean, accurate sound reproduction
  • Durable and light
  • Simple to set up

●       The responsiveness of low-end performance is lacking.

4. Shure PGA56

Shure PGA56


Frequency Response50Hz-15kHz
Weight0.63 lbs
Sensitivity-57 dBV/Pa at 1 kHz

Product Review:

For those on a tight budget, the PGA56 is the finest option for a tom microphone. It is affordable and worth the money. A wonderful value for it is PGA56. It has a durable construction, a cardioid polar pattern, and a drum-mount microphone clip. Its frequency range is 50Hz–15 kHz. It is little in your recording setup as a result.

The PGA56 is the most basic microphone we’ve tested, and it may be used by simply clipping it to the back of the drum. Although this microphone is simple to use, it does have some reasonable drawbacks, given its price. The sound quality is, regrettably, sacrificed for the price. It was more expensive than other models. 

  • Reasonable Price
  • Drum mounts make installation simple.
  • Enduring design
  • Reliable reproduction of sound

●       To succeed, it just needs EQ.

5. Audix D4 Hypercardioid Dynamic

Audix D4 Hypercardioid Dynamic


Transducer TypeDynamic
Frequency Response40 Hz – 18 kHz
Polar Pattern Hypercardioid
Output Impedance280 ohms
Sensitivity 1.4 mV / Pa @ 1k

Product Review:

It is the D4 Hypercardioid Drum Microphone from Audix. It is a top-notch microphone ideal for close-miking drum kits, especially floor toms and rack toms. It is a small, reliable tom microphone that is easy to set up and produces crystal-clear audio. This has proven to be true for me. The Audix D4 operates remarkably well and generates a clear, sharp sound. The hyper-cardioid pickup’s pattern effectively muffles undesired background noise.

It can generate an obvious and rich sound because it concentrates on a particular sound source. The transient is fantastic.

The product has amazing construction quality. Every unit is evaluated and assembled to assure the finest level of craftsmanship because it is built to last for a very long time. Audix D4 expertly locates the drum’s sweet spot, producing a well-rounded and warm sound that is powerful when played live or on record. 

  • Sturdy construction
  • Higher quality audio in terms of tone and sound.
  • The handling of high sound pressure levels is simple.
  • It is the best option for toms because of its small footprint.

●       there are not many drawbacks.

Get This Product From Original Website.

Buyer’s Guide

The last step in building a fantastic drum kit microphone setup is finding a superb set of tom mics. Audio recording equipment with at least eight channels is necessary. Your drum kit will have a studio-like sound that you can blend due to a microphone on your toms. Toms have a prolonged attack instead of being distant in a recording setup with only overhead microphones to take up their tones. When purchasing keep the following in mind.

Decide Whether You Want A Single Microphone Or A Full Microphone.

These packs come in various sizes, although they are rarely seen. To save money, it is preferable to get the entire set of microphones for the whole kit if you don’t already have any. It’s better to buy microphones separately if your equipment already has overheads and an additional kick mic.

Discover Mounting Clips

Some mics have mounting clips that can be positioned on the rims of the drums. If they don’t, you’ll need to buy your attachment clips or place the microphone on a stand for your boom. The best choice is to purchase individual clips because they will cost less.

The Best SPL Handling Should Be Sought After

These microphones must withstand high sound pressure levels because they will be placed close to your toms, which will be struck firmly. They will wind with distortion if they don’t have the highest SPL.

Think About Durability

Microphones are pounded with a hammer; the most frequently of all drum microphones. Make careful you get this product with robust construction and casings.

Response to Frequency

The ideal microphones for you should have a wide range of frequency responses because toms have a wide range of tuning ranges. Large frequency ranges are a property of high-end microphones, whereas low-cost mics are less adaptable. Look for tom microphones with a 40–18 000 Hz frequency range. The tom’s noises can be picked up quite well by microphones that cover this frequency range.

Sound Performance

When selecting tom mics, sound quality should be your priority. Without mixing or EQ, some mics sound better than others. High-quality microphones are also more pleasant to use, both live and in the studio.


Since you’ll be playing a lot of drum fills and have the potential to strike them over time, this product need to be quite durable. The microphone’s case and the quality of the wire within determine how long it will last. Higher-end microphones tend to be slower than lower-end ones.

Pickup Style

A fantastic pattern for these mics is hyper-cardioid. Hyper-cardioid mics have the best noise rejection compared to other types of mics, making them perfectly positioned between drums and cymbals.  Although the cardioid microphones have some sound rejection, they are still the best option for the kit’s toms.


Toms are best suited for smaller-sized microphones in general. Given the constrained surface areas  in racks, it is best to employ discrete microphones. Floor toms have a little more latitude. However, the ideal choice is a tiny microphone.

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What kind of microphone are floor toms using?

Consider using a giant diaphragm dynamic microphone (like the SM7B), which has a wider low-end and can handle higher SPL, if you wish to use a floor tom. Because dynamic microphones are less responsive to sound, the sound may be less lively.

How significant are these mics?

These microphones are essential for recording your instrument’s sound. If you want the highest-quality sound, you need them in a live performance environment and a recording studio. But it’s best to purchase overheads and a kick microphone first if you want to start recording your drummer.

With just these, you can put together a mix that sounds terrific. Tom microphones can also provide a better, more organic-sounding drum mix.

Should you wear mics under your toms?

When there are enough microphones and inputs to flow through the setup, skilled recording engineers can install tom mics beneath toms. The Engineers need full control on their drums that is why it is necessary to put them under your toms.

want to know the physics behind these mics then check the video below Credit Goes to youtube.com


There are several different types of microphones that make excellent recordings. This list includes the items I like to utilize for toms and the benefits of doing so. Some of the condenser microphone options need to be added to this list. For instance, the AKG C414 and the Earthworks DM20 are excellent condenser mics for recording toms. It’s true that your setup and what you enjoy the most work the best.

Any of these mics can be an excellent option if you want to capture acoustic drums but are on a tight budget. Many of them are adaptable and will give you the most influential recording possible. Any aspiring engineer should occasionally test the mics on this list for studio and live audio applications. These mics will undoubtedly make your sound come to life, whether it’s your first or 500th time recording.

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